1. Thota Panchajanyam

Madhavi( 1977-04-29) 29 April 1977 (age 42)NationalityAlma materKesari Higher Secondary SchoolOccupationActressYears active1994–2017Spouse(s)Ansari Raja (m. 2009) (divorced)Bujankar Rao(m. 2010-present)Rajashree (born 29 April 1977) is an Indian film actress who made her debut in 's 1994 film playing the lead character. Since then she has appeared in over 60 films in both and, she also is a popular serial artist and has acted in over 30 serials, establishing herself as a leading serial artist. Contents.Career Actress Rajashree made her debut in Tamil Cinema with Bharathiraja's 'Karuthamma'. Winning laurels for her prodigious performance, she continued getting on with fantastic shows in,. Rajashree has spelled prominent roles around 57 films in Telugu and Tamil.

Apart from Silver Screen, the actress leaped with best credits in TV series 'Aalayam', 'Agal Vilakku', 'Mandhira Vasal' and 'Sivamayam'. Personal life Rajashree married Ansari Raja, a Muslim and proprietor of 'Body Shape Gym' after being in love for some time, it was a customary marriage according to - religion that was attended by their family members and close friends. But, however the couple split after living together for just one month.In 2010, she married computer engineer Bujankar Rao in a secret ceremony in Vijayawada; the wedding took place at the popular temple and was attended by just a few family and friends of the couple. The Hyderabad-based Bujankar Rao is a relative of Rajashree; the actress said that she would bid goodbye to acting forever.Filmography YearFilmRoleLanguageNotes1994Karuththamma1995ShaliniTamil1995Ragaa1995SornaTamil1996LakshmiTamil1996PadminiTamilGuest appearance1996DeivanaiTamil1997Rekha1998RajeshwariKannada1998Akhila1999Tamil19992001UmaTamil2001Nandha's motherTamil2001Roja's sisterTamil2002Tamil2002MalarTamil2003Tamil2006MalligaTamil2006Mrs. ArokyarajTamil2007Tamil2007MaragathamTamil2009SumathiTamil2010Prabha's auntTamil2012Porkodi's motherTamil2013Tamil2015Paari's MotherTamil2016KalaTamil2017Kausalya's motherTamil2017TamilSerials.

Dracula. Ramulamma.

Lakshmi Kalyanam. Mahalakshmi References. Is a 2007 action film directed by Suresh. It stars as the titular character in the lead role, while and play supporting roles. Shooting for the film was done at various locations in, including. Songs for the film were shot at; the film released on 17 March 2007 to positive reviews. This movie was running 120 Days but it was an average hit at the box office, it was dubbed in as Hathiyaar.

The film tells the story of Dr. Sabarivasan, who goes on a revenge spree against rowdy elements who are disturbing peace and tranquility in the city. Sabari treats the most wanted rowdy in the police department and sends back him to the police custody after the treatment; the gangster starts chasing Sabari for the revenge. The story revolves around the gangster's groups; the film was launched at in 2006.

Shooting for the film was done at various locations in India including Chennai and Rameswaram. Songs for the film were shot at Hong Kong.Soundtrack was composed. Osama Osama -, Naveen Aavana Aakkana -, Orumurai Sonnal - Naveen, Bhargavi - Om Ennum -, Indiaglitz wrote 'It's Vijayakanth all the way who with his brainy and brawny ways restores order in the society'. Behindwoods wrote 'All in all, disappointing, it is hard to imagine what the director and producer had in mind when the movie was made.' Is a language spoken predominantly by Kannada people in in the state of, by significant linguistic minorities in the states of, and abroad. The language has 43.7 million native speakers, who are called. Kannada is spoken as a second and third language by over 12.9 million non-Kannada speakers living in Karnataka, which adds up to 56.6 million speakers.

It is one of the and the official and administrative language of the state of Karnataka; the Kannada language is written using the Kannada script, which evolved from the 5th-century script. Kannada is attested for about one and a half millennia, literary flourished in the 6th-century Ganga dynasty and during the 9th-century. Kannada has an unbroken literary history of over a thousand years. Kannada literature has been presented with 8 Jnanapith awards, the most for any Dravidian language and the second highest for any Indian language.Based on the recommendations of the Committee of Linguistic Experts, appointed by the ministry of culture, the government of India designated Kannada a. In July 2011, a center for the study of classical Kannada was established as part of the at to facilitate research related to the language. Kannada is a Southern Dravidian language, according to Dravidian scholar Sanford B. Steever, its history can be conventionally divided into three periods: Old Kannada from 450–1200 CE, Middle Kannada from 1200–1700, Modern Kannada from 1700 to the present.

Kannada is influenced to an appreciable extent. Influences of other languages such as and can be found in the Kannada language; the scholar indicated that Kannada was a language of rich oral tradition earlier than the 3rd century BCE, based on the native Kannada words found in Prakrit inscriptions of that period, Kannada must have been spoken by a widespread and stable population.The scholar K. Narayana claims that many tribal languages which are now designated as Kannada dialects could be nearer to the earlier form of the language, with lesser influence from other languages; the sources of influence on literary Kannada grammar appear to be three-fold: Pāṇini's grammar, non-Paninian schools of Sanskrit grammar Katantra and schools, Prakrit grammar. Literary Prakrit seems to have prevailed in Karnataka since ancient times; the Prakrit speaking people may have come into contact with Kannada speakers, thus influencing their language before Kannada was used for administrative or liturgical purposes. Kannada, vocabulary and show significant influence from these languages; some words of Prakrit origin in Kannada are: baṇṇa derived from vaṇṇa, hunnime from puṇṇivā. Examples of Sanskrit words in Kannada are:, arasu from rajan, paurṇimā, rāya from rāja. Like the other Dravidian languages Kannada has borrowed words such as dina, nimiṣa and anna.Purava HaleGannada: This Kannada term translated means 'Previous form of Old Kannada' was the language of in the early, the, Satakarni and Kadamba periods and thus has a history of over 2500 years.

The rock edict found at has been suggested to contain words in identifiable Kannada. According to Jain tradition, the daughter of, the first of, invented 18 alphabets, including Kannada, which points to the antiquity of the language. Supporting this tradition, an inscription of about the 9th century CE, containing specimens of different alphabets Dravidian, was discovered in a Jain temple in the fort. In some 3rd–1st century BCE inscriptions, words of Kannada influence such as'nalliyooraa','kavuDi' and posil' have been introduced; the use of the vowel a' as an is not prevalent in Tamil but its usage is available in. Kannada words such as'gouDi-gavuDi' transform into Tamil's kavuDi' for lack of the usage of Ghosha svana in Tamil.Hence the Kannada word'gavuDi' becomes'kavuDi' in Tamil.'

Posil' was introduced into Tamil from Kannada and colloquial Tamil uses this word as'Vaayil'. In a 1st-century CE Tamil inscription, there is a personal reference to ayjayya', a word of Kannada origin. In a 3rd-century CE Tamil inscription there is usage of'oppanappa vIran'. Here the honorific'appa' to a person's name is an influence from Kannada.

Another word of Kannada origin is found in a 4th-century CE Tamil inscription. Settar studied the'sittanvAsal' inscription of first century CE as the inscriptions at'tirupparamkunram','adakala' and'neDanUpatti'; the inscriptions were studied in detail by Iravatham Mahadevan also. Mahadevan argues that the words'erumi','kavuDi','poshil' and'tAyiyar' have their origin in Kannada because Tamil cognates are not available. Settar adds the words'nADu' and'iLayar' to this list. Mahadevan feels that some grammatical categories found in these inscriptions are unique to Kannada rather than Tamil. Both these scholars attribute these influences to the movements and spread of Jainas in these regions.These inscriptions belong to the period between the first century BCE and fourth century CE.

These are some examples that are proof of the early usage of a few Kannada origin words in early Tamil inscriptions before the common era and in the. Is a 2015 Indian romantic action comedy drama directed by and produced by director Bala; the film features and in the leading roles, while Lal and essay supporting roles.

The music was composed by S. Arunagiri with the score composed by; the film released on 7 August 2015.

The film began production in June 2014, with Bala opting to fund a film to be directed by Sarkunam starring Atharvaa in the lead role. Despite early reports that the film would be titled Puzhudhi Parakkum Ooru, the makers denied the claim; the film progressed without a title till January 2015, when the team christened the project as Chandi Veeran. Bala sold the film to Sri Green Productions thereafter, after the film was completed and the third schedule was finished at and; the sattelite rights were sold to Vijay Television. Soundtrack was composed by S. Altamappu –, Mahalingam Alunguren Kulunguraen – Babu, Eechampazha – Guru Kothani –, gave 2.5 stars out of 5 and wrote, 'The problem is that the film cannot find its tone and so, the narration suffers.The filmmaking, lacks grace, with hurried camerawork and choppy editing that make the film visually inelegant.

We never see the confident Sarkunam of and.' Wrote, 'Though the intention.to convey a message on water scarcity and is laudable, the film is too preachy and loud with an abrupt comedy ending. Chandi Veeran is yet another half baked movie from Sarkunam'. In contrast, wrote, 'at just under two hours, with a decent plot, some good performances and great visuals, director Sarkunam's Chandi Veeran is worth a watch'. Indiaglitz wrote, 'The film is worth your time and money for presenting a vital issue in a engaging manner'. Chandi Veeran on IMDb.

Run is a 2002 romantic action film written and directed by starring and in the lead roles; the film features, and in supporting roles, while composed the film's music. The film won positive reviews from critics and performed well at the box office, prompting the film to be re-shot in and remade in under the same name. Siva is based out of and he comes to to join a college, he stays with her husband. Siva does not like his brother-in-law and never talks to him, despite several attempts made by his sister to convince both.

Siva meets Priya during a bus journey, it is for him, he again meets her on a few more occasions and proposes his love, but she warns him to stop following her despite liking him. Siva understands that Priya's brother Bhaskar is a local goon, he attacks anyone who follows his sister. Priya advises him to stop following her, but Siva is not scared of this and one day, Bhaskar's hit men spot Priya together.They try to attack Siva, but instead Siva beats them up, which gives the courage to Priya to love him as he is capable of fighting her brother. Siva's brother-in-law gets to know about the love story and offers help.

Siva's sister feels happy that her brother are in good terms now with each other. One day, Bhaskar comes to attack Siva's sister's family, but in the meantime, Siva threatens to attack Bhaskar's family, thereby frightening him. Priya decides to with Siva. Bhaskar chases them along with his men; the couple is tracked down, the goons start attacking Siva. Now Priya interferes and challenges her brother to attack Siva single-handedly without any of his hit men, he starts attacking Siva. But Siva retaliates and hits back Bhaskar, who gets injured.

Bhaskar lets his sister go with Siva; the movie ends with Priya uniting. Madhavan signed the film in January 2002 after being impressed with Linguswamy's narration and through the project, made his first appearance in an action-orientated role.Madhavan had wanted to do an action film after being instructed by director to move away from romantic drama films and lost eight kilograms to portray Run's lead role. Was selected to play the lead role in the film, but was released from her contract; the makers signed on to portray the lead role, before deciding to change the lead actress again after the actress struggled with the dialogues. But Meera Jasmine was signed on to make her first appearance in Tamil films. Atul Kulkarni was signed on to play an in the film, marked a rare move for the actor towards regular villain roles., Anu Hasan and Vivek were signed on to work on the film, with the latter filming a separate comedy track; the scenes were shot at locations in Chennai and Srirangam, among other places, while the songs were shot abroad in. The team filmed scenes at the., where action sequences were filmed; the film completed production in one schedule, with Madhavan remarking about the well organised structure of the shoot.The film's release was postponed from July 2002 to September 2002 to finish off works. However the commercial failure of Rajinikanth-starrer Baba means that the makers pre-poned the film to the earliest release date in September, in order to avoid other competition; the makers of the film chose to release the film on a Thursday instead of a Friday, in order to avoid a box office clash with Solomon's Vikram-starrer, King.

The film opened in September 2002 to critical acclaim and performed well at the box office. Nowrunning.com wrote 'director Linguswami has given a enjoyable film with good music by and brilliant cinematography by ', adding 'Madhavan has proved in this film that he can do action and that too convincingly'. Another critic noted 'there is nothing new about the film's story but, Madhavan's new incarnation as an action hero and Linguswamy's racy screenplay has made this a enjoyable experience'; the film went on to become amongst the highest grossing Tamil films of the year in 2002, became actor Madhavan's most profitable film at the time of release.won the Award at the 2002 for his performance in the film. The film was dubbed and released in under the same name during April 2003, with the comedy portions of Vivek re-shot with Sunil; the film's, Jeeva remade the film in with, and in the leading roles. A film titled Kadhal Pisase, named after the song from the film, was released in 2012. A popular scene involving Madhavan closing a shop shutter was parodied in the spoof film, while it was referred to in, in which the actor and director had collaborated again; the music was composed by Vidyasagar.

The soundtrack won critical acclaim and became Vidyasagar's most successful album at the time of the release. Are persons who regard themselves as culturally, ethnically, or religiously adhering to aspects of. The term has been used as a geographical and religious identifier for people indigenous to the Indian subcontinent; the historical meaning of the term Hindu has evolved with time. Starting with the and references to the land of the Indus in the 1st millennium BCE through the texts of the medieval era, the term Hindu implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu river. By the 16th century, the term began to refer to residents of the subcontinent who were not or Muslims; the historical development of Hindu self-identity within the local population, in a religious or cultural sense, is unclear.

Competing theories state that Hindu identity developed in the British colonial era, or that it developed post-8th century CE after the Islamic invasion and medieval Hindu-Muslim wars.A sense of Hindu identity and the term Hindu appears in some texts dated between the 13th and 18th century in and regional languages. The 14th- and 18th-century Indian poets such as and used the phrase Hindu and contrasted it with Turaka dharma; the Christian Sebastiao Manrique used the term'Hindu' in religious context in 1649. In the 18th century, the European merchants and colonists began to refer to the followers of Indian religions collectively as Hindus, in contrast to Mohamedans for and following. By the mid-19th century, colonial texts further distinguished Hindus from and, but the colonial laws continued to consider all of them to be within the scope of the term Hindu until about mid-20th century.

Scholars state that the custom of distinguishing between Hindus, Buddhists and is a modern phenomenon. Is an archaic spelling variant.

At more than 1.03 billion, Hindus are the world's third largest group after Muslims.The vast majority of Hindus 966 million, live in, according to India's 2011 census. After India, the next 9 countries with the largest Hindu populations are, in decreasing order:, and; these together accounted for 99% of the world's Hindu population, the remaining nations of the world together had about 6 million Hindus in 2010.

The word Hindu is derived from the and Sanskrit word Sindhu, which means 'a large body of water', covering 'river, ocean', it was used as the name of the Indus river and referred to its tributaries. The actual term'hindu' first occurs, states, as 'a Persian geographical term for the people who lived beyond the river Indus', more in the 6th-century BCE inscription of; the region, called in the, is called Hapta Hindu in. The 6th-century BCE inscription of Darius I mentions the province of Hidush, referring to northwestern India; the people of India were referred to as Hinduvān and hindavī was used as the for Indian in the 8th century text.The term'Hindu' in these ancient records is an ethno-geographical term and did not refer to a religion. The equivalent Al-Hind referred to the country of India. Among the earliest known records of'Hindu' with connotations of religion may be in the 7th-century CE Chinese text Record of the by the scholar. Xuanzang uses the term In-tu whose 'connotation overflows in the religious' according to. While Xuanzang suggested that the term refers to the country named after the moon, another Buddhist scholar contradicted the conclusion saying that In-tu was not a common name for the country.

Al-Biruni's 11th-century text Tarikh Al-Hind, the texts of the period use the term'Hindu', where it includes all non-Islamic people such as Buddhists, retains the ambiguity of being 'a region or a religion'. The'Hindu' community occurs as the amorphous'Other' of the community in the court chronicles, according to.notes that'Hindu' retained its geographical reference initially:'Indian','indigenous, local', virtually'native'. The Indian groups themselves started using the term, differentiating themselves and their 'traditional ways' from those of the invaders; the text, by Chanda Baradai, about the 1192 CE defeat of at the hands of, is full of references to ' and ', at one stage, says 'both the religions have drawn their curved swords. In Islamic literature,'Abd al-Malik Isami's work, Futuhu's-salatin, composed in the Deccan in 1350, uses the word'hindi' to mean Indian in the ethno-geographical sense and the word'hindu' to mean'Hindu' in the sense of a follower of the Hindu religion'; the poet Vidyapati's poem Kirtilata contrasts the cultures of Hindus and Turks in a city and concludes 'The Hindus and the Turks live close together. One of the earliest uses of word'Hindu' in religious context in a European language, was the publication in 1649 by Sebastiao Manrique.Other prominent mentions of'Hindu' include the inscriptions from kingdoms who battled military expansion of Muslim dynasties in the 14th century, where the word'Hindu' implies a religious identity in contrast to'Turks'. Is a 1999 written and directed by debutant Bala.

The film stars Vikram and in the lead roles with and in other pivotal roles considered as a trendsetter and cult film; the film's score and soundtrack were composed. The film opened in October 1999 at a single suburban theatre but became a popular commercial success. Sethu won the National Film Award for and secured wins in the Best Film category at the and the, while Bala and Vikram won several awards for their contributions to the film; the film was remade in as starring which became a success and in as which gave a major breakthrough to actor. Remade the film in as with her husband playing the lead; this film remade in as. Sethu aka Chiyaan is a rough and macho college rowdy and The Students Union Chairman of the college, who uses violence as the only way to deal with people.He lives with his brother, a, his sister-in-law, the only person who seems to understand him properly. The movie opens with Sethu winning the elections to the office bearers of the college's Students Union followed by celebrations and in-campus fight between the rival candidates. Sethu has a staple diet of yes-sir friends surrounding him, he comes across a timid girl, the daughter of a poor temple priest, starts to woo her.

When she rejects him, he kidnaps her and forces her to fall in love with him. After Abhita falls in love with him, Sethu is attacked by goons who take revenge on him for interfering with their business. Sethu ends up in a temple. Suffering from and having developed an unusual behaviour, he starts to recollect memories. At one point, he is back to his normal self and tries to convince the swamiji that he's back to normal.

However, the swamiji ignores him. Desperate, Sethu attempts to escape from the ashram by climbing over the gates, he fails and ends up with serious injuries.Whilst sleeping with his injury, Abitha makes a surprise visit. However Sethu is asleep and she leaves with this woeful memory of him; as she is about to leave the institution, he realises that she had come to see him.

As he calls out, she leaves unable to hear him. Persistent to meet her he makes another attempt to leave the institution and this time he is successful; when he arrives at her house he is presented with his love dead. Distraught after what he saw, Sethu just walks out and his friends and family try to help him regain his memory. Although he is aware of what's happening around him, Sethu pretends to be unconscious. At that point, he is met with the mental institution wardens who came to take him back to the ashram; the film ends with Sethu leaving with them as he has nothing to live for after his true love's death. Bala, an erstwhile assistant of wrote the script of the film titled Akhilam, in the mid 1990s and offered the film's lead role to his housemate who refused the film he chose as the lead in the film.He liked the script but unable to sign the film.

The film was based on a real life incident of a friend of Bala's, who had fallen in love, lost his mind and ended up at a mental asylum. Was also considered for the lead role in the project, but did not sign up.

In 1997, debutant director Bala offered Vikram the role of the rogue, in the film of the same name. Was signed on to play the lead female role, but was replaced by Rajshri and subsequently. To prepare for the character, Vikram shaved his head, thinned down to half his size by losing 21 kilograms and grew nails for the role. Furthermore, Bala did not want Vikram to accept any other offers during this period in order to maintain the continuity of his looks, asked him to cease working as dubbing artiste; the film's launch was held in April 1997 and production lasted close to two years as the film languished in.

The FEFSI strike of 1997 halted filming across the from June to December 1997 and as a small budget film, Sethu was unable to progress during the period.When the strike was called off, the producer left the project and Vikram and Bala's assistant Ameer had to go and plead the producer to return, with filming resuming in January 1998. After further slow progress, the film was ready in June 1999. Lent his voice for S.

Rathnavelu who worked as a cameraman revealed that he gave the asylum scenes a predominantly green tone for the intense psychological impact; the film struggled to find a distributor and only after sixty seven screenings did the film manage to find a buyer, with most refusing the film due to the tragic. During the period and Vikram used Vikram's wife Shailaja's money to organise press previews and despite garnering good reviews, no one was interested in purchasing the film and it remained finished but unreleased. Vikram has since described the period of production as 'the worst phase of his career' as he was weak economically, 'his fire was in danger of dying down'. Made on a shoe-string budget,Sethu was an hit grossing ₹4 at the box office.The film was released on 10 December 1999, began running at a single noon show at a suburban theatre but built up audiences through publicity and ran over a 100 days at several. Is a 1994 directed and written by; the film's script was co-written by M. Rathna Kumar; the film's score and soundtrack are composed by; the film received accolades. It stars played titular role in her debut with Raja and played lead with and played pivotal role; the soundtrack of the film by winner A.

Rahman is hailed as a masterpiece; the track Porale Ponnuthayi won a National Film Award for its singer. Mokkatha, a wife of Mokkaiyan, a farmer in Pottalpetti village, is in labour, they have two daughters and are keen to have a son. Unable to pay hefty for their daughters' marriages, the villagers consider female to be acceptable.

A new school teacher feels sad on learning about this heinous practice; when Mokkatha delivers a girl again, Mokkaiyan orders the village to kill the baby. The midwife sadly tries to feed the extract to the baby at a secluded place.The school teacher notices, meets her and requests to handover the infant so that he can bring up her. She hands over and he moves away from the village with the child; as years roll by, Stephen, a veterinary doctor, comes to the village. Mokkaiyan's first daughter Ponnatha is married to the son of Mokkaiya's nefarious sister; the second daughter Karuthamma takes care of the family. After getting into some with Stephen, Karuthamma falls in love with him. Ponnatha has two daughters, is pregnant for the third time; when a girl is born again, her mother-in-law and Mokkaiyan's sister, orders to kill it. To save her child, Ponnatha is chased by, who beats her to death, he and Kaliamma enact a drama that Ponnatha committed suicide as her third child a girl.

Karuthamma, devastated with the death of her sister, does not believe this story. Ponnatha had earlier expressed her fear to her that if she delivered a girl again, Kaliamma would kill her; when Karuthamma is giving a ceremonial bath to Ponnatha's baby, she notices bloodstains on her.Concluding that she was murdered, Karuthamma rushes to complain to the police.

The village chairman Chellamuthu, close to Thavasi, asks the police not to intervene, hence the police do not. Karuthamma refuses to leave the station.

Stephen, passing by, threatens action against the police if they do not act on her complaint, as he is a government employee. Left with no option, the police arrest Thavasi and Kaliamma. Rosy, a teacher's daughter, comes to meet her close relative Stephen, her presence and closeness with Stephen is misunderstood by Karuthamma. Rosy loves Stephen. Kaliamma's husband celebrates her arrest by drinking with Mokkaiyan, not used to liquor. Mokkaiyan loses control of his limbs.

Rosy attends to him and in the process gets attached to Karuthamma. A few weeks when Thavasi and Kaliamma get bail, they come to attack Karuthamma, but Stephen saves her.

Chellamuthu manipulates the villagers to accept Thavasi's proposal that Karuthamma must marry Thavasi to take care of Ponnatha's two young daughters.Chellamuthu, who has lent money to Mokkaiyan and seeks immediate repayment if he does not accept this proposal. Thavasi's father realises that his son is using the young children as bait and takes away the children with him one night. However, he is caught by Thavasi, motivated by Chellamuthu, burns his father to death. Thavasi takes the children away and forces Karuthamma to come with him to their village to marry him. Shocked with all this, Mokkaiyan is on his deathbed; when Rosy expresses her love to Stephen, he states that he loves. Rosy is shocked as she decides to move away from the village; when the villagers asks her to treat Mokkaiyan, fighting for his life, she does not as she is keen to leave. When her father, the teacher arrives, the village midwife realises that he is the same person who took Mokkiayan's third daughter; the midwife reveals to Rosy.

Rosy treats Mokkaiyan, who now realises his mistake of killing female infants without realizing their worth. Karuthamma, on the eve of her wedding, demands to see the children take away earlier by Thavasi's father.However, Thavasi is unable to show his children.

That night Chellamuthu asks him to spare Karuthamma for that night. Thavasi agrees in a drunken state, overheard by Karuthamma, who comes to know that Thavasi had killed his own father; when Chellamuthu goes to meet Karuthamma, she is well prepared to meet him. She murders Chellamuthu and Thavasi. After saving Ponnatha's children, who were locked inside a box, she returns to her village. Realising that Rosy is her own sister, Karuthamma asks her to look after the children and their father and leaves with the police.

Thota Panchajanyam

Stephen decides to wait for her; the film's title was named after Bharathiraja's mother. The film's story was based on a real-life incident in a village and the script was written by Bharathiraja's assistant M. Who worked as.